It may look like a painting,Pretty Mother in law but this is actually what 10,000 bicycles being dumped into one space looks like.
Tens of thousands of shared bikes have been impounded by authorities, and left at a playground in the Chinese city of Hefei.
SEE ALSO: People stole nearly all of the bikes belonging to a shared-bike startup, so it had to close downIt's simply the latest chapter in the recent shared bike phenomenon, which has seen a surge of bikes scattered around cities from service providers which hope users will hop on one of theirs.
In many of these cities, the bikes tread the line between public and private good, in a way -- some cities see them as littering the sidewalk, and impound them, while others have agreed to let the bikes be, in hopes of encouraging green transportation.
According to a report by Chinese state media Global Times, the playground was originally owned by a school that had later vacated the premises.
The empty grounds later became the de facto dumping ground for authorities, who had seized discarded bikes from the main roads and had nowhere else to put them.
Bikes which were found violating parking rules were also detained and dumped into these grounds.
According to the Global Times, there are at least 10,000 bikes dumped in this bicycle graveyard.
People online found it pretty ironic that the shared bikes were causing so much damage.
"Shared bikes are supposed to promote sharing and save the environment, but then it's caused this instead," said one user on Weibo.
"This is a waste of resources," said another.
"No wonder I can't find any shared bikes in Hefei," one quipped.
According to the Global Times, Hefei's City Urban Management Bureau will begin returning the bikes to the respective companies.
Previous:The Sound and the “Furious”
Next:Gods of War
The Siren Song by Nina MacLaughlinA Bridegroom Called Death by Julia BerickThe Empty Room by Lucy SanteOn Cussing by Katherine DunnA Slap in the Face of Stalinism by Alissa VallesGoatherd, Storyteller, Master by Brian RansomTrains by Jill TalbotStaff Picks: Battle Hymns, Boarding Schools, and Bach by The Paris ReviewRedux: Your Name Means Open by The Paris ReviewReading in the Age of Constant Distraction by Mairead Small StaidRedux: Your Name Means Open by The Paris ReviewOn Desolation: Vija Celmins’s Gray by John VinclerEating Oatmeal with Alasdair Gray by Valerie StiversOn Desolation: Vija Celmins’s Gray by John VinclerStaff Picks: Sex, StandOn Nighttime by Hanif AbdurraqibSilicon Valley Hustling: An Interview with Anna Wiener by Pete TosielloThe Village Explainer by Anthony MadridGerman Lessons by Margaret DrabbleThe Only Untranslatable American Writer by Brian Evenson The Book Jean Tom Wolfe, 1930–2018 Prime Numbers by Anthony Madrid Announcing Our Summer Issue by The Paris Review Redux: Excessive Doom Scenarios The Premiere of ‘Four Women Artists’ May ’68: A Great Lyrical Community Philip Roth, 1933–2018 Whither the Angel in ‘Angels in America’? Poetry Rx: Lie to Yourself, What You Will Lose Is Yourself Cooking With Pather Panchali “Once Upon a Time” and Other Formulaic Folktale Flourishes Staff Picks: Smugglers, Lovers, and Dead Husbands May ’68: Posters of the Revolution Redux: Emily’s Other Daffodil by The Paris Review The Age of Wreckers and Exterminators The Difficulty in Writing About Murder The Moment of Writing by Amit Chaudhuri Contraband Flesh: On Zora Neale Hurston’s Barracoon by Autumn Womack May ’68: What Legacy?
2.5209s , 10132.5390625 kb
Copyright © 2025 Powered by 【Pretty Mother in law】,Warmth Information Network